It's been reported that all analog broadcasts will go away next year. The converter boxes have another issue that might affect some people. But when we watched Everybody Loves Raymond, having the zoom engaged cut Raymond's brother out of the frame. Now, a lot of people might accept that they're going to be missing part of the frame, especially since many stations use a "center cut safe" principle, which means they try not to put important information on the left and right edges when shooting widescreen content. The left and right sides will fall outside the screen, but you won't know that, unless you start mashing the Zoom button again to cycle through a few options until you get to the letterboxed mode. The "zoom" mode will still be on, which means only the center of the image will be visible. ![]() When the next show comes on, it might have been shot in widescreen. That will expand the picture so it fills the screen. The solution is to press the "Zoom" button on the remote that comes with the converter box. That nice 32-inch TV you got five years ago is turned into a 24-incher. On a nonwidescreen TV, the result is windowboxing. The stations deal with this by inserting black bars to the left and right of the image to pad out the widescreen frame. Practically no daytime fare, such as syndicated shows and reruns of old sitcoms, is widescreen. A lot of these digital broadcasts are actually of nonwidescreen content. ![]() ![]() When shown on a nonwidescreen TV, the image will be "letterboxed," showing black bars above and below.īut it doesn't end there. This occurs because the digital broadcasts of network stations are in most cases formatted for widescreen HDTVs. Both boxes, with some programs, produced "windowboxing" or "the postage-stamp effect": The TV picture occupies the center of the screen, leaving black bars above, below and on either side of the picture.
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